City of Ember is a 2008 American science fiction fantasy film based on the 2003 novel The City of Ember by Jeanne DuPrau. It was directed by Gil Kenan from a screenplay by Caroline Thompson, and stars Saoirse Ronan, Harry Treadaway, Bill Murray, Mackenzie Crook, Martin Landau, Mary Kay Place, Toby Jones and Tim Robbins. It was released in October 2008, just two months after the release of the final book in the series; The Diamond of Darkhold. The film received mixed reviews from critics and was a box office flop.
Plot
In the midst of an unspecified catastrophe which is destroying human civilization and polluting the environment, an underground city is constructed to shelter a large group of survivors. The "Builders" of the underground "City of Ember" place secret instructions to future generations in a small box timed to open in exactly 200 years after the event. The City of Ember is built into a vast and gigantic underground cavern and is filled with conventionally sized 3 to 4-story buildings and houses. Far above the tops of the buildings are banks of floodlights that light the city during the day and provide light for the greenhouses. The lights are powered by a massive generator.
The Builder's box is entrusted to the mayor of the City of Ember. Each mayor, in turn, passes the box on to his or her successor. Over time, the significance of the box is forgotten, and with 47 years remaining on the time-lock, the succession is broken when the mayor holding the box dies suddenly, before revealing the importance of the box to anyone since his successor was not appointed. Not realizing the importance of the box, the late mayor's family places it in a junk-filled closet in the mayor's office. The time-lock opens the box at the allotted time, but the event goes unnoticed.
200 years after the apocalypse, and also 41 years after the box itself was opened, Ember threatens to fall into darkness as the main generator begins to fail. Blackouts are occurring with increasing frequency and last longer each time. The reserves of canned goods and light bulbs are also becoming depleted. Much of the knowledge about how to use and repair the systems necessary for the city's survival has also slowly been lost over succeeding generations, as the knowledge was passed through spoken words rather than written.
At a rite of passage for all graduating students called Assignment Day, Mayor Cole (Bill Murray) stands before the students as they choose, by lottery, what their occupations will be. Lina (Saoirse Ronan), a teenage girl who dreams of becoming a messenger, is assigned to be a "Pipeworks Laborer" working under the technician Sul (Martin Landau). Doon (Harry Treadaway), the son of Loris 'Barrow' Harrow (Tim Robbins), is assigned "Messenger." The two swap occupations despite the fact that it is forbidden. Lina goes home to find her dying grandmother searching for something in the closet which turns out to be the lost metal box. Unable to piece the torn papers inside the box together, Lina nevertheless resolves to decipher their meaning and enlists Doon's help. As blackouts become more frequent, Lina and Doon realize that the information inside the box could lead to the salvation of Ember. Racing against time, the two teens follow the clues and eventually come into conflict with Mayor Cole and other corrupt politicians.
During their flight, it turns out that their parents had once joined in an attempt to make their way beyond Ember, an attempt which ended when Lina's father drowned after their tunneler hit a pressurized underground river. The pair realizes the document is a set of instructions on how to escape the city, and they search for the hidden exit. They also discover that Mayor Cole has been hoarding canned food in a secret vault in the utilities area, planning to create a mass famine so he could have bigger control over the City of Ember. When they report the theft, they are arrested and the mayor attempts to take the box away from Lina. When she refuses, he orders his henchmen to snatch it from her, but fails and a blackout allows Lina to escape. Now fugitives from the mayor's police, the pair puts their escape plan into action. They fetch Poppy (Amy Quinn and Catherine Quinn), Lina's 4 year old sister, and escape with the help of Sul. They follow the instructions, which leads them to a series of water channels and a subterranean river. Meanwhile, the Mayor turns against Looper, the manager of the storehouse who had been helping him, and locks himself in his vault, only to be devoured by a gigantic mole.
In the end they reach the surface where they see and feel the natural air and sky for the first time. At first, they despair, because it is dark and they assume that they have not escaped, but they do not realize it is night time. In the morning, as the sun rises, they gaze in amazement at the glowing sun and blue sky. They then tie a message of their discovery to a rock and drop it back down to the city, where it is found by Loris.
Cast
- Saoirse Ronan as Lina Mayfleet, descendant of the 7th Mayor of Ember.
- Harry Treadaway as Doon Harrow
- Bill Murray as Mayor Cole, the current Mayor of the City of Ember and the main antagonist.
- Toby Jones as Barton Snode, the assistant to Mayor Cole.
- Martin Landau as Sul, a technician in the Pipeworks and mentor to Doon.
- Tim Robbins as Loris "Barrow" Harrow, Doon's father .
- Marianne Jean-Baptiste as Clary Lane, Greenhouse Keeper.
- Liz Smith as Granny Mayfleet
- Amy Quinn and Catherine Quinn as Poppy Mayfleet, younger sister of Lina.
- Mary Kay Place as Mrs. Murdo
- Mackenzie Crook as Looper, keeper of the store rooms.
- Lucinda Dryzek as Lizzie Bisco, Lina's best friend.
- Matt Jessup as Joss, a classmate of Lina and Doon.
- Simon Kunz as Captain Fleery, Lina's boss.
- Ian McElhinney as a Builder
Production
In October 2004, Playtone partners Tom Hanks and Gary Goetzman paid in the mid-six figures to purchase the film rights to Jeanne DuPrau's 2003 novel The City of Ember. They entered negotiations with Caroline Thompson to adapt the novel and Gil Kenan to direct the film. The deal includes an option on the sequel novel The People of Sparks.
Filming was scheduled to begin in early summer of 2007 and to wrap up in October of the same year, a 16-week shooting process. A former paint hall in the shipyard of Harland and Wolff in Belfast's Titanic Quarter was converted into the post-apocalyptic city.
Effects
Few animals are shown; but the two nonhuman living creatures onscreen are related thematically to darkness and light: a giant moth (which seeks light) and a giant mole (subterranean and blind).
Marketing
Walden Media hired Lucas Cruikshank to promote the movie in his internet series "Fred". The video was released Saturday, October 4, 2008 with an edited version of clips from the film, including "Fred's" face superimposed on the faces of characters from the trailer.
Premiere
At the AMC premiere of the film, its stars chatted about their feeling that the film was thematically appropriate for the times. As Mike Flaherty wrote:
At the after-party at meatpacking district eatery Vento, the pic's baddie, Bill Murray, said, "You can't help but feel that this film is speaking to you right now, when you really feel a little bit lost, a little abandoned." Added pic's Tim Robbins, who was joined by cast mates Martin Landau and Saoirse Ronan at the premiere: "I just loved the script. It had such a good, optimistic spirit about it. It's fun to play against this bleak, dark world."
Reception
Critical response
The film received mixed reviews from critics. Review aggregation website Rotten Tomatoes gives the film a score of 53% based on 124 reviews, with the site's consensus stating: "City of Ember is visually arresting, and boasts a superb cast, but is sadly lacking in both action and adventure." Metacritic gave the film a 57/100 rating indicating "mixed or average reviews", based on reviews from 27 critics.
Stephen Holden wrote in The New York Times that the "talents of Saoirse Ronan, the brilliant young actress from Atonement", were "wasted in the science-fiction juvenilia of City of Ember", though he added: "Most of the time, however, it's a whiz-bang kid's film with neat gadgets and sound effects and an extended chase and escape sequence through underground rivers and tunnels. At only 95 minutes, the movie feels as though it had been shredded in the editing room... The best things about this are scenes of ominous grinding machinery of the kind found in railway yards, as well as several zany gadgets worthy of Rube Goldberg. The most witty is a primitive telephone-answering machine that resembles the do-it-yourself hi-fi kits assembled by audiophiles in the early days of stereo... Tim Robbins is also on hand as Doon's earnest, secretly rebellious father, who spends his days tinkering with exotic inventions... But not to worry: the boundless resourcefulness of two curious, clean-cut adolescents full of gee-whiz enthusiasm may lead humanity back into the fresh air and sunlight."
Justin Chang of Variety had similarly mixed feelings: "A fabulously designed underground metropolis proves more involving than the teenagers running through its streets in City of Ember, a good-looking but no more than serviceable adaptation of Jeanne Duprau's 2003 novel. Director Gil Kenan's disappointing live-action follow-up to his enjoyable toon debut, Monster House, shows promising flickers of visual invention throughout, but the dramatic sparks fail to ignite in this simpleminded exercise in juvenile dystopia." Chang also observed that the characters represent "English-speaking, predominantly Caucasian humanity."
Irv Slifkin for Video Business wrote, "this lavishly designed adventure saga from director Gil Kenan... plays like Terry Gilliam's Brazil â€" for beginners". He praised the "secret escape plan hidden by Ember's founders" and "impressive technical work," concluding that there were "drama and sometimes lethargic pacing, but there's enough here for middle- and high-school kids to think about and marvel over."
Cinema Blend's Editor in Chief, Katey Rich gave the film 2.5 of 5 stars and said, "City of Ember belongs to one of the best and most enduring genres of children's films, in which smart kids stand up against the ignorant and aloof adult world and have a big adventure in the process. It also throws in a fantastical city, replete with whiz-bang inventions and secret societies. It's a mystery, then, that all the happy elements only add up to a big mush, a dull adventure and a contrived fantasy. Saiorsie [sic] Ronan is a fantastic heroine, but the story and the rest of the cast can't keep up with her lively pace." She added that "director Gil Kenan seems hellbent on just driving the narrative forward. The movie clocks in at an acceptably short time for a kid's movie, but so much gets lost or glossed over along the way. Ember itself is fascinating, an intricately detailed set that, like Diagon Alley or the Star Wars cantina, you'd like to take a few hours to wander around in. But so many questions about the city are left unanswered... You get the feeling that Jeanne Duprau's book got into this stuff, while the movie never seems to have the time."
TV Guide was more forgiving with 3.5 out of 4 stars, pointing out, "A fun and moving family film with a subtly dark feel rarely seen in kids' movies since the '80s, City of Ember succeeds despite its shortcomings, not only because of its fun and inspiring story, but because most of its flaws are things kids won't notice anyway... [T]he story spins into a classic fable; the ignorance that seemed so blissful shows it's just one half of a coin, where the other side holds apathy and hopelessness. The moral might well be lost on kids, but for adults, it's compelling -- all the more so because we like the good people of this dying city." This reviewer praised the "series of exciting adventures" and argued that "Lina and Doon's vigilant sense of hope is, in the end, incredibly inspiring and extremely pertinent... It might be a staple theme in family films, but City of Ember is a useful reminder about the power of the human spirit to triumph where our own hopelessly broken systems have failed. It's a message that the filmmakers didn't take for granted -- and that hopefully viewers won't either."
Box office
On its opening weekend, the film opened poorly at #11 at the box office with $3,129,473. As of February 20, 2010, the film has grossed $17,929,684 worldwide, well below its $55 million budget.
Accolades
Saoirse Ronan was nominated for a 2009 Irish Film and Television Award as "Best Actress in a Lead Role in a Film", and art director Jon Billington and production designer Martin Laing were nominated for Satellite Awards in 2008 for their design of the film, as was Ruth Myers for her costume design.
Home media
The DVD was released on January 20, 2009 in a DVD-18 format with the widescreen version of the film on one side, and the full screen version on the other.
It was released in 2009 on Blu-ray Disc in the United Kingdom, Australia, Germany, and France, all coded for Region B playback only, although the German release will also play on Region A players. No United States Blu-ray release has been announced, but a Region A Blu-ray was released in Hong Kong in 2010.
References
External links
.jpg/220px-Saoirse_Ronan_at_2014_Berlin_Film_Festival_(cropped).jpg "City of Ember")
- City of Ember at the Internet Movie Database
- City of Ember at AllMovie