Serenity (film)

Serenity is a 2005 American space western film written and directed by Joss Whedon. It is a continuation of Whedon's short-lived 2002 Fox science fiction television series Firefly and stars the same cast, taking place after the events of the final episode. Set in 2517, Serenity is the story of the captain and crew of Serenity, a "Firefly-class" spaceship. The captain and first mate are veterans of the Unification War, having fought on the losing side. Their lives of petty crime are interrupted by a psychic passenger who harbors a dangerous secret.

The film was released in North America on September 30, 2005 by Universal Pictures. It received generally positive reviews and was #2 during its opening weekend but it did not make back its budget until its home media release. Serenity won numerous awards, including the 2006 Hugo Award for Best Dramatic Presentation.

Plot

In the 26th century, humanity has left an overpopulated Earth and moved to a new star system, terraforming and colonizing many planets and moons. The well-established central planets formed the Alliance and won a war against the outer planet Independents - those refusing to join the Alliance. River Tam is among the young people being coercively conditioned by Alliance scientists to be psychic assassins. She is rescued by her brother Simon. Because top government secrets have been inadvertently exposed to River's psychic abilities, an Alliance agent known only as the Operative is tasked with recapturing her.

The siblings have found refuge aboard the transport spaceship Serenity, captained by smuggler and Independent veteran Malcolm "Mal" Reynolds. Despite Simon's objections, Mal brings River on a bank robbery. They are attacked by the savage and cannibalistic Reavers. They escape, but Simon decides he and River will leave Serenity at the next port. Once there, however, a television commercial causes River to attack the patrons of a bar, and Mal takes the siblings back aboard the ship. A recording of the incident is viewed by the Operative. The crew contacts reclusive hacker Mr. Universe, who discovers within the commercial a subliminal message designed to trigger River's mental conditioning. He notes River whispered "Miranda" before attacking and warns someone has seen the footage.

Mal receives a call from Inara Serra, a former passenger. He fears she is in danger; despite knowing it is a trap, Mal goes to rescue her. As expected, he is confronted by the Operative. The Operative promises to let Mal go free if he turns over River, but Mal refuses and escapes with Inara. River reveals that Miranda is a planet located beyond a region of space swarming with reavers. The crew flies to the planet Haven to ponder their next move. However, the Alliance has attacked it, killing their friend Shepherd Book. The Operative is killing all who have ever offered the crew safe haven in an attempt to flush them out, and he promises he will pursue them until he captures River.

Mal decides they must sail through the fleet of Reaver vessels to Miranda and learn what the Alliance is hiding. On Miranda, the crew discover a fully terraformed planet filled with corpses. A distress beacon leads them to a recording by an Alliance survey team, which explains that an experimental chemical designed to suppress aggression in humans was added into Miranda's air. The experiment worked too well, and most residents became so docile they allowed themselves to die. However, a small portion of the population had the opposite reaction and became exceedingly aggressive and violent, turning into the Reavers.

Mal asks Mr. Universe to broadcast the recording to everyone in the system. However, the Operative bribes Mr. Universe to betray them. Once Mr. Universe completes his role, the Operative mortally wounds him and destroys his equipment. Mal suspects a trap, and he lures the Reaver fleet into pursuing Serenity to Mr. Universe's planet and attacking the waiting Alliance fleet. The damaged Serenity crash lands, and pilot Hoban Washburne is killed when Reavers attack immediately after. The crew flees, and they plan to make a stand against the Reavers to buy Mal time to broadcast the recording. Through a message recorded by Mr. Universe before his death, Mal learns of a backup transmitter. After sustaining heavy injuries, the crew retreats behind a set of blast doors, which do not properly close. A Reaver shoots through the opening and severely wounds Simon, prompting River to charge through the doors and close them as the Reavers drag her away.

In a confrontation at the backup transmitter, Mal disables the Operative and forces him to watch the recording as it is broadcast. Mal returns to the crew, and the blast doors open to reveal River has killed all the Reavers. Alliance troops reach the group, but the disillusioned Operative orders them to stand down.

The Operative provides medical aid and resources to repair Serenity. The crew erects memorials for their fallen friends. Simon consummates his romantic relationship with mechanic Kaylee Frye. The Operative tells Mal the broadcast weakened the Alliance government. While he will try to convince them that River and Simon are no longer threats, he cannot guarantee the Alliance will end their pursuit. Inara decides that she will remain with the crew, and Serenity takes off with River as Mal's co-pilot.

Cast

• Nathan Fillion as Malcolm "Mal" Reynolds, a former sergeant (now captain of his privately owned ship) on the losing side of the Unification War, he struggles to survive free and independent of the Alliance.
• Gina Torres as Zoe Washburne (née Alleyne): A former corporal who fought under Mal in the war, and Wash's wife. She is the second-in command of Serenity, and is fiercely loyal to Mal, whom she addresses as "sir".
• Alan Tudyk as Hoban "Wash" Washburne: The pilot of the ship, and Zoe's husband. He often acts as a voice of reason on the ship.
• Morena Baccarin as Inara Serra, a Companion who formerly rented one of Serenity's shuttles. In one of the Operative's traps, Mal is reunited with Inara at her training house, and the two escape back to Serenity.
• Adam Baldwin as Jayne Cobb, a mercenary skilled with weapons, Jayne is often the "main gun" for jobs and is someone who can be depended on in a fight. Jayne acts and seems dumb most of the time, but may be smarter than he lets on. As Whedon states several times, he is the person that will ask the questions that no one else wants to.
• Jewel Staite as Kaywinnet Lee "Kaylee" Frye: the ship's mechanic, has an intuitive, almost symbiotic, relationship with machines and is, consequently, something of a mechanical wizard. She is also notable for a persistently bright and sunny disposition, and her crush on Simon Tam.
• Sean Maher as Simon Tam, River's loving older brother who helped rescue her from the Alliance. He and River are taken in by the crew of Serenity. A trauma surgeon before the rescue, he serves as a doctor to the crew. His life is defined by his sister's needs.
• Summer Glau as River Tam, a 17-year old psychic genius. She and her brother are taken in by the crew of Serenity after he rescues her from an Alliance Academy where she was subjected to medical experimentation and brainwashing. The Alliance's pursuit of River acts as the film's motive. More abstractly the film is the "story of Mal as told by River".
• Ron Glass as Shepherd Derrial Book, a shepherd, or preacher, with a mysterious past, Book was once a passenger on Serenity, but now resides on the planet Haven. Mal and the crew look to him for help.
• Chiwetel Ejiofor as The Operative, a ruthless intelligence agent of the Alliance assigned to track down River and Simon. Although Ejiofor was on the top of the casting director's list for the role, the studio wanted someone better known. Whedon was eventually able to cast Ejiofor.
• David Krumholtz as Mr. Universe, a "techno-geek" with good relations with the crew of Serenity, especially Wash, Mr. Universe lives with his "love-bot" wife and monitors incoming signals from around the universe.

Production

Development

The film is based on Firefly, a television series canceled by the Fox Broadcasting Company in December 2002, after 11 of its 14 produced episodes had aired. Attempts to have other networks acquire the show failed, and creator Joss Whedon started to sell it as a film. He had been working on a film script since the show's cancellation. Shortly after the cancellation, he contacted Barry Mendel, who was working with Universal Studios, and "flat-out asked him" for a way to continue the series as a film, including as a low-budget television film. Mendel introduced Whedon to then Universal executive Mary Parent. She had seen Firefly and immediately signed on to the project, even though Whedon had yet to create a story. Whedon remarked,

Universal came in where I thought nobody else would, and quite frankly, I'm not sure anybody else would've, with absolute faith and has maintained it. It's been the easiest process in terms of dealing with a studio that I've ever had. And they turned it intoâ€"not a blockbuster, which is not what I was trying to make, but not a low-budget movie either. They wanted to make a real movie out of it. They wanted to give us the scope that the show could never have had. So all I had to do was come up with a story that was worth that.

In July 2003, Whedon said that though there was interest in the project, "I won't know really until I finish a draft whether or not it's genuine." He felt that any film deal was contingent on keeping the show's original cast, though he later stated that retaining the cast was "never an issue" as Universal executives believed the cast suitable after watching every episode of the series.

In early September 2004, a film deal with Universal was publicly confirmed. Universal acquired the rights to Firefly shortly before the confirmation. Whedon felt that the strong sales of the Firefly DVD, which sold out in less than twenty-four hours after the pre-order announcement, "definitely helped light a fire and make them [Universal] go, 'Okay, we've really got something here.' It definitely helped them just be comfortable with the decisions they were making, but they really had been supporting us for quite some time already."

Writing

After Universal acquired the film rights from Fox, Whedon began writing the screenplay. His task was to explain the premise of a television series that few had seen without boring new viewers or longtime fans. He based his story on original story ideas for Firefly‍ '​s un-filmed second season. Whedon's original script was 190 pages, and attempted to address all major plot points introduced in the series. After presenting the script to Barry Mendel under the title "The Kitchen Sink", Whedon and Mendel collaborated on cutting down the script to a size film-able under his budget constraints. The tightened script and a budget Mendel and Whedon prepared were submitted to Universal on a Friday and on the following Monday morning, Stacey Snider, then head of Universal, called Mendel to officially greenlight the movie.

Universal planned to begin shooting in October 2003, but delays in finishing the script postponed the start of shooting to June 2004.

Filming

Universal, while on board with the film, was not willing to spend the typical $100 million for a story set in space. Whedon convinced them he could do it for less money, and do it in 50 days, instead of the usual 80. On March 3, 2004, the film was given the greenlight to enter production with a budget of under $40 million. Typically, production would save money by shooting outside of Los Angeles, but Whedon insisted on filming locally.

Principal photography began on June 3, 2004. Whedon announced the film would be titled Serenity to differentiate it from the TV series. (Whedon also mentions in the Serenity DVD commentary that Fox still owned the rights to the name "Firefly".) All nine principal cast members from the television series returned for the movie, although Glass and Tudyk could not commit to sequels, leading to the death of their characters in the script. Stunt coordinator Chad Stahelski, a student of Jeet Kune Do under Dan Inosanto, created a customized fighting style for Summer Glau to use in the film's fight scenes. It was a hybrid of Kung Fu, kickboxing and elements of ballet, all combined to create a "balletic" martial art.

One cost-cutting item that could not be reused from the television show was the original set of the interior of the spaceship Serenity, which had to be entirely rebuilt based on images of the Firefly DVD set. The set for the failed colony, Miranda, was filmed on location at Diamond Ranch High School in Pomona, California.

On September 17, 2004, Whedon announced on the film's official website that shooting had been completed.

The opening sequence shifts perspectives several times, from a traditional narrative to that of a schoolroom which is later revealed to be River's disjointed memories. Whedon said in the DVD commentary that the approach works thematically as well, since it depicts River's fractured state of mind. Once the narrative reaches Serenity herself, Whedon uses a long steadicam shot of several minutes to establish "safety", as well as (re-)introduce every character aboard the ship and touch on their personalities and motivations.

Serenity was also the first film to be screened digitally, fully DCI-compliant.

Design

Comic book artist Bernie Wrightson, co-creator of Swamp Thing, contributed concept drawings for the Reavers. Other comic book artists who contributed to the production design include Joshua Middleton and Leinil Francis Yu (Visual Companion).

Serenity costumes are influenced by Wild West style: natural materials such as wool, cotton, and leather in drab earth tones predominate. Some clothing also reflects an east, south, and southeast Asian and Indian fusion of color and beauty as well as influences from the American Civil War, late 19th century as well as the 1930s depression era. Mal's suspenders are influenced by a World War II design. The clothing of the Alliance organization within the series (in reality, reused uniforms from Starship Troopers) is monolithically monochromatic, similar to the uniforms of the Galactic Empire in the Star Wars films. Serenity appears to be influenced by Western genre set design, in particular, entertainment programs set in the West during the 1970s and 1980s such as Little House on the Prairie. The cramped interior of the Serenity ship itself appears to be influenced by the "worn future" precedent set by the famous fictional Star Wars spaceship the Millennium Falcon but devolved even further. In a similar vein to the film Star Wars Episode IV: A New Hope, Serenity goes for an occasional underdone look, or "used future", as Star Wars creator George Lucas refers to it.

"Serenity" was clearly written by someone who grew up worshiping at the altar of Han Solo and the space marines in Aliens, but this genre picture is still a thrillingly original science fiction creation. The writing is as good as in the best "Star Trek" episodes, while offering a thoughtfully bleak vision of the future that brings to mind Blade Runner."

This future envisioned in Serenity has two political and cultural centers: Anglo-American and Chinese. Characters all speak English and Mandarin, with the latter language reserved for the strongest curse words.

Visual effects

As the budget for the film was considerably smaller than for other films, practical special effects were used as much as possible: if a computer-generated imagery (CGI) composite was required, as many tangible sets and props as possible were constructed to minimize the use of computer effects. The most technically challenging scene was the mule skiff chase. For budgetary reasons, a gimbal and CGI, much like those used in the pod race in Star Wars Episode I: The Phantom Menace, were quickly ruled out, creating a challenge for the production team to find an alternative. Instead, the crew fashioned a trailer with a cantilevered arm attached to the "hovercraft" and shot the scene while riding up Templin Highway north of Santa Clarita. Serenity visual effects supervisor Loni Peristere told the Los Angeles Times, "Traditionally this would have been, like, a 30-day shoot. I think we did it in five." Zoic Studios, the company that produced the graphics for the series, had to perform a complete overhaul of their computer model of Serenity, as the television model would not stand up to the high-definition scrutiny of cinema screens (and high-definition video resolution).

Musical score

In pre-production memos, Whedon described his vision for the score as "spare, intimate, mournful and indefatigable." Just as the landscape and speech drew from elements of the Western, he wished the same of the musical style and instrumentation. However, he did not want to step too far into Western clichés to "cause justified derision" and hoped the score would also draw from Chinese and other Asian musical elements. He wanted the musical elements "mixed up, hidden, or it's as much a cliché as the western feel. We don't want to be too specific about culture or time. We want to be comfortable enough with the sounds not to let them take us out of the story, but not so comfortable that we begin to be told where the story is." Music was to draw heavily on what could be carried, and he highlighted four instruments: voice, percussion, woodwind, strings particularly guitar. He cautioned against vocal orchestration, believing there to be only two voices in Hollywood and wishing to avoid both, and advised moderation in woodwind, feeling wind instruments to be "either too airy or too sophisticated."

Universal Studios wanted a composer with experience scoring films, ruling out Firefly‍‍ '​‍s composer Greg Edmonson. Whedon first thought of Carter Burwell, of whom Whedon was a fan. However, Whedon later felt that Burwell was not the right choice because as the film changed, the needs of the score changed as well. Burwell found working on the project difficult as it required he work "opposite" to his usual approach. The production would have continued with Burwell, but his other obligations left him little time to compose an entirely new score for Serenity. Burwell was dropped from the project a few weeks before the scheduled February 2005 recording.

David Newman was recommended by Universal's music executives when Whedon requested a composer capable of "everything" and "quickly." Whedon's instructions to Newman for the ship Serenity‍‍ '​‍s theme was something homemade and mournful, evoking the idea of pioneers who only had what they could carry. Whedon wished the theme to let viewers know they were now home. River Tam's theme was played on a uniquely shaped, square, antique piano that was slightly out of tune. The piano reminded Newman of River and composed a "haunting, haunted, vaguely eastern and achingly unresolved" theme that Whedon felt proved Newman's understanding of the film's musical needs.

The score was performed by the Hollywood Studio Symphony under Newman's direction. The official soundtrack was released September 27, 2005.

Release

Serenity had its world premiere at the Edinburgh International Film Festival on August 22, 2005. The premiere sold out, and the festival arranged for two more screenings on August 24, which sold out in twenty-four hours, and in the "Best of the Fest" line-up on August 28. The film was theatrically released September 30, 2005.

Marketing

In April 2005, Universal launched a three stage grassroots marketing campaign. A rough cut of the film was previewed in a total of thirty-five North American cities where the Firefly television series received the highest Nielsen ratings. The screenings did not bear the name of the film and relied on word-of-mouth within the fanbase for promotion. All screenings sold out in less than twenty-four hours, sometimes in as quickly as five minutes. The first screening was held May 5, 2005 in ten cities. The second screening on May 26 increased the number of cities to twenty. In the twenty-four hours following the announcement of the second screening, the Firefly fanbase launched trial and error efforts to uncover the theaters holding the screenings, leading the event to be sold out before the official listing was released. The third screening on June 23 was held in thirty-five cities. A final screening was held at Comic-Con International, followed by a panel with Whedon and the cast.

Session 416

Session 416, also known as the R. Tam Sessions, are a series of five short videos anonymously released by Whedon through various websites and message boards as a form of viral marketing. The first video, bearing the title card "R. Tam, Session 416, Second Excerpt", was released on the iFilm website on August 16, 2005. By September 7, 2005, all five videos had been released. Though a representative from Universal Studios stated to have no knowledge of the videos' origin, the idea to launch an online viral marketing campaign came first from Universal executives. After they approached Whedon with the idea, he decided to use the format to explore events before either the film or the television series. The clips were filmed with a "tiny" crew in a single day shoot and are shot in grainy, low quality, black-and-white. They were later included on the Collector's Edition DVD.

The videos, sequenced out of chronological order, depict excerpts of counseling sessions between River Tam, played by Summer Glau, and her unnamed therapist, played by Whedon, while she is held at the Alliance Academy. They follow her change from shy and sweet child prodigy to the mentally unstable girl of the television series.

Home media

Serenity was released on Region 1 DVD, VHS, and UMD on December 20, 2005. The DVD ranked #3 in sales for the week ending December 25, 2005. Bonus features available on the DVD version audio commentary from Whedon, deleted scenes and outtakes, a short introduction by Whedon originally preluding the film at advance screenings, an easter egg on the creation of the Fruity Oaty Bar commercial, and three featurettes on the Firefly and Serenity universe, special effects, and the revival of the television series to film. Region 2 releases included an additional making-of featurette, and Region 4 releases included additional extended scenes, a tour of the set, a feature on cinematographer Jack Green, and a question and answer session with Whedon filmed after an advance screening in Australia.

Serenity was released on HD DVD on April, 18, 2006 and was the first Universal Studios film to be released on the format. In January 2007, it also became the first full resolution rip of an HD DVD release uploaded to the BitTorrent network after its title key was ripped from a software player and released online.

A 2-disc Collector's Edition DVD was released for Region 1 on August 21, 2007. In addition to the special features featured on the Region 4, with exception of the question and answer session, the release included Session 416, a documentary on the film, and a second commentary with Whedon and actors Nathan Fillion, Adam Baldwin, Summer Glau, and Ron Glass. The film was released on Blu-ray on December 30, 2008, adding to the special features a video version of the cast commentary, picture-in-picture visual commentary, a two databases of in-universe material, and a digital tour of Serenity.

Reception

Box office

Despite critical acclaim and high anticipation, Serenity performed poorly at the box office. Although several pundits predicted a #1 opening, the film opened at #2 in the United States, taking in $10.1 million on its first weekend, spending two weeks in the top ten, and closed on November 17, 2005 with a domestic box office gross of $25.5 million. Movie industry analyst Brandon Gray described Serenity's box office performance as "like a below average genre picture".

Serenity‍ '​s international box office results were mixed, with strong openings in the UK, Portugal and Russia, but poor results in Spain, Australia, France and Italy. United International Pictures canceled the film's theatrical release in at least seven countries, planning to release it directly to DVD instead. The box office income outside the United States was $13.3 million, with a worldwide total of $38.9 million, slightly less than the film's $39 million budget, which does not include the promotion and advertising costs.

Critical reception

Serenity received mostly positive reviews from film critics. Rotten Tomatoes gives the film a "Certified Fresh" score of 82% based on 179 reviews. The sites consensus is "Snappy dialogue and goofy characters make this Wild Wild West soap opera in space fun and adventurous." Metacritic gives the film a weighted average score of 74% based on reviews from 34 critics indicating generally favorable reviews.

Ebert and Roeper gave the film a "Two Thumbs Up" rating. Ebert in his review on the Chicago Sun-Times gave the film three out of four stars, commenting that "[the film] is made of dubious but energetic special effects, breathless velocity, much imagination, some sly verbal wit and a little political satire". "The movie plays like a critique of contemporary society", he observed, also stating that in this way it was like Brave New World and Nineteen Eighty-Four. The San Francisco Chronicle called it "a triumph", while The New York Times described it as a modest but superior science fiction film. Science fiction author Orson Scott Card called Serenity "the best science fiction film ever", further stating "If Ender's Game can't be this kind of movie, and this good a movie, then I want it never to be made. I'd rather just watch Serenity again." In December 2005, it was named the best film of the year by viewers of Film 2005 and ranked #383 on Empire magazine's list of "The 500 Greatest Movies of All-Time" in 2008.

Some reviewers felt the film was unable to overcome its television origins, and did not successfully accomplish the transition to the big screen. USA Today wrote that "the characters are generally uninteresting and one-dimensional, and the futuristic Western-style plot grows tedious" while Variety declared that the film "bounces around to sometimes memorable effect but rarely soars".

Awards

• Film of the year awards from Film 2005 and FilmFocus.
• IGN Film's Best Sci-Fi, Best Story and Best Trailer awards and runner up to Batman Begins for the Overall Best Movie
• Won the 7th annual "User Tomato Awards" for Best Sci-Fi Movie of 2005 at Rotten Tomatoes.
• Won Nebula Award for Best Script for 2005.
• 2006 Viewers Choice Spacey Award for favorite movie.
• Voted as the Best Film of 2006 by the writers for the website Box Office Prophets and it came 12th Best film of 2006 in the website's readers poll.
• Won Best Dramatic Presentation, Long Form at the 2006 Hugo Awards.
• 2006 Prometheus Special Award.
• SyFy Genre Awards 2006:
  • Best Movie Runner-Up
  • Best Actor/Movie Runner-Up: Nathan Fillion
  • Best Actress/Movie Runner-Up: Summer Glau
• SFX magazine‍ '​s best sci-fi movie of all time.

Cultural impact

NASA astronaut Steven Swanson, a fan of the show, took the Region 1 Firefly and Serenity DVDs with him on Space Shuttle Atlantis' STS-117 mission, which lifted off on Friday June 8, 2007. The DVDs will permanently reside on the International Space Station as a form of entertainment for the station's crews.

On February 20, 2009, NASA announced an online poll to name Node 3 of the International Space Station; NASA-suggested options included Earthrise, Legacy, Serenity, and Venture. At the March 20, 2009 poll close, 'Serenity', led those four choices with 70% of the vote, though the winner of the poll was 'Colbert', a reference to late night comedy show host Stephen Colbert. In the end, the poll was discarded and the node was eventually named 'Tranquility'.

Charity screenings

Beginning in January 2006, fans (with Universal's blessing) began organizing charity screenings of Serenity to benefit Equality Now, a human rights organization supported by Joss Whedon. By mid-June, 41 such screenings had been confirmed for cities in Australia, Canada, England, New Zealand, and the United States, and as of June 19, 2006, there were 47 scheduled screenings. The project was referred to as "Serenity Now/Equality Now" on the official website, but was often referred to in shortened form as "Serenity Now", and was coordinated through "Can't Stop The Serenity". The name officially changed in 2007 to Can't Stop The Serenity (CSTS)

This has become a multi-venue event held each calendar year in various countries and cities and on various dates throughout the year. Funds raised by the events go to Equality Now (and other charities).

Related works and merchandise

Universal Studios wished to do an animated prequel to the Serenity film. Whedon and Brett Matthews wrote a story for the feature, but Universal ultimately decided against the project. The story was rewritten into a three-issue comic book miniseries intended to bridge the gap between the television series and the film. Serenity: Those Left Behind was released from July through September 2005 by Dark Horse Comics.

A novelization of the film was written by Keith DeCandido and published by Simon & Schuster under their Pocket Star imprint on August 30, 2005. Titan Publishing published Serenity: The Official Visual Companion on September 1, 2005, and Titan Magazines released a one-shot souvenir magazine. Margaret Weis Productions released the Serenity tabletop role-playing game based on the film on September 19, 2005.

Inkworks issued a 72-card trading card set, including autographed cards and cards with swatches of costumes used in the film, on September 21, 2005. The set won Diamond Comics' 2005 Non-Sports Card Product of the Year Gem Award. Diamond Select Toys released five six-inch action figures initially featuring Malcolm Reynolds, Jayne Cobb, and a Reaver, later adding River Tam, Inara Serra, and Zoe Washburne. The line was deemed to be "disappointing" with the figure of Malcolm Reynolds particularly singled out; both won MCWToys' silver award for Worst Line and Worst Male Figure under twelve inches for 2005.

Themes and cultural allusions

While the film depicts the Alliance as an all-powerful, authoritarian-style regime, Whedon is careful to point out that it is not so simple as that. "The Alliance isn't some evil empire," he explains, but rather a largely benevolent bureaucratic force. The Alliance's main problem is that it seeks to govern everyone, regardless of whether they desire to belong to the central government or not. What the crew of Serenity representâ€"specifically Mal and his lifestyleâ€"is the idea that people should have the right to make their own decisions, even if those decisions are bad.

The Operative embodies the Alliance and is, as Whedon describes, the "perfect product of what's wrong with the Alliance". He is someone whose motives are to achieve a good end, a "world without sin". The Operative believes so strongly in this idea that he willingly compromises his humanity in furtherance of itâ€"as he himself admits, he would have no place in this world. In contrast, Mal is, at the movie's beginning, a man who has lost all faith. By the end of the movie Mal has finally come to believe so strongly in somethingâ€"individual libertyâ€"that he becomes willing to lay down his life to preserve it.

Whedon has said that the most important line spoken in the film is when Mal forces the Operative to watch the Miranda footage at the climax of the film, promising him: "I'm going to show you a world without sin". Whedon makes the point that a world without sin is a world without choice, and that choice is ultimately what defines humanity. According to Whedon, the planet "Miranda" was named for William Shakespeare's Miranda in The Tempest, who in Act V, scene I says: "O brave new world, / That has such people in't!" The Alliance had hoped that Miranda would be a new kind of world, filled with peaceful, happy people, and represents the "inane optimism of the Alliance".

The Fruity Oaty Bar commercial is partially inspired by Mr. Sparkle, the mascot of a fictional brand of dish-washing detergent, who was featured in The Simpsons episode "In Marge We Trust". Whedon mentions in a DVD feature that when the Fruity Oaty Bar commercial was being designed, he constantly asked the animators to redesign it and make it even more bizarre than the previous design, until it arrived at the version presented on screen.

Sequel possibilities

Fans had hoped that if Serenity had been successful, it might lead either to a film trilogy.

The first major sequel rumor began on December 1, 2005, when IGN Filmforce reported that Universal had expressed an interest in making a Serenity television movie for broadcast on the Sci-Fi Channel. It was expected that commissioning of a television sequel would be contingent on strong DVD sales of Serenity. In a January 2006 interview, Whedon doubted the chances of a sequel. On October 1, 2006, Whedon posted a comment to the Whedonesque.com website, responding to a rumor that he was working on a sequel to Serenity:

There's no sequel, no secret project regarding Serenity or somesuch and I'm not even sure how anyone thought there was talk there. I've seen Nathan and Tim (and Summer and Alan) recently because they're my friends because I'm so, yeah, awesome. So let's put that to bed and smother it with a pillow.

In an interview at the 2007 Comic-Con, Whedon stated that he believes hope for a sequel rests in the sales of the Collector's Edition DVD. In an August 2007 interview with Amazon.com prior to the Collector's Edition DVD release, Whedon stated, "It's still on my mind, I mean, but I don't know if mine is the only mind that it's on." He later said, "You know, whether or not anybody who's involved would be available at that point â€" everybody's working, I'm happy to say â€" is a question, but whether I would want to do another one is not a question."

References

Additional reading

• DeCandido, Keith R.A. (August 30, 2005). Serenity. ISBN 1-4165-0755-8. 
• Whedon, Joss (September 1, 2005). Serenity: The Visual Companion. ISBN 1-84576-082-4. 
• Joss Whedon (December 9, 2003). The Complete Series: Commentary for "Serenity" (DVD). 20th Century Fox. 

External links

• Official website
• Serenity at the Internet Movie Database
• Serenity at Box Office Mojo
• Serenity at Rotten Tomatoes
• Serenity at Metacritic